Untitled illustration for Jackanory (Mary Plain Goes to America) (1972), gouache on card. BBC material reproduced courtesy of the British Broadcasting Corporation.

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Untitled illustration for Jackanory (Mary Plain Goes to America) 

Untitled (For thee, oh dear, dear country), date unknown, pencil and ink on paper. Courtesy of Clarissa Daulby and Rose de Wend Fenton.

Untitled (For thee, oh dear, dear country)

‘Beauty and the Beast at supper’ illustration for Beauty and the Beast (1875), watercolour, gouache and shell gold on paper. Private collection.

Beauty and the Beast at supper (illustration for Beauty and the Beast)

Untitled (illustration for Ros Roserum ex horto Poetarum, 'THE FUNERAL OF THE ROSE'), c. 1885, ink and gouache on paper, Eleanor Vere Boyle, Courtesy of Clarissa Daulby and Rose de Wend Fenton

Untitled (illustration for Ros Roserum ex horto Poetarum, 'THE FUNERAL OF THE ROSE')

Untitled (including Haddo House), date unknown, ink on paper. Courtesy of Clarissa Daulby and Rose de Wend Fenton.

Untitled (Haddo House)

Draft cover illustration for Colette's "Claudine Married" (1960), Secker & Warburg, photolithograph print, © Janina Ede, courtesy of Paul Loader.

Rough cover illustration for Colette's "Claudine Married"

Cover for The Numbers of Our Days (1959) by Francis Irby Gwaltney, Secker and Warburg, photolithograph. © Secker and Warburg (now Harvill Secker, part of Penguin), courtesy of Paul Loader.

Cover jacket for "The Numbers of Our Days"

Day of Solidarity with the Afro-American People - August 18, 1969, Daysi García López, offset lithograph poster © OSPAAAL / Victoria and Albert Museum, London

Day of Solidarity with the Afro-American People - August 18

Untitled (date unknown), ink and pencil on paper, © Janina Ede, private collection.

Untitled

Untitled illustration for Jackanory (Just So Stories: The Butterfly who Stamped) (1973), gouache, gold ink and collage on card. BBC material reproduced courtesy of the British Broadcasting Corporation.

Untitled illustration for Jackanory (Just So Stories: The Butterfly who Stamped) 

Book cover proof for Colette's "Claudine Married" (1960), illustrated by Janina Ede, photolithograph print. © Secker and Warburg (now Harvill Secker, part of Penguin), courtesy of Paul Loader.

Book cover proof for "The Stories of Colette"

Untitled illustration for Jackanory (Just So Stories: The Cat who Walked by Himself) (1973), gouache on card. BBC material reproduced courtesy of the British Broadcasting Corporation.

Untitled illustration for Jackanory (Just So Stories: The Cat who Walked by Himself)

Day of Solidarity with the people of Guinea-Bissau and Cape Verde - august 3, 1968, Berta Abelénda Fernández, offset lithograph poster © OSPAAAL / Victoria and Albert Museum, London

Day of Solidarity with the people of Guinea-Bissau and Cape Verde - august 3

Untitled (c. 1959), pencil and gouache on paper, © Janina Ede. Courtesy of Paul Loader.

Untitled (rough cover illustration for "The Numbers of Our Days")

Book cover proof for Colette's "Claudine in Paris" (1960), Secker & Warburg, photolithograph print. © Secker and Warburg (now Harvill Secker, part of Penguin), courtesy of Paul Loader.

Book cover proof for Colette's "Claudine in Paris"

Rough cover illustration for "Carlotta Mc Bride" (c. 1959), gouache on paper © Janina Ede, courtesy of Paul Loader.

Rough cover illustration for "Carlotta Mc Bride"

Untitled (illustration for A Book of Heavenly Birthdays), c. 1893, Eleanor Vere Boyle, Courtesy of Clarissa Daulby and Rose de Wend Fenton

Untitled (illustration for A Book of Heavenly Birthdays)

Illustration for 'A Dream Book', 1864-7, Eleanor Vere Boyle

Illustration for 'A Dream Book'

Book cover proof for Colette's "The Other One" (1960), Secker & Warburg, photolithograph print. © Secker and Warburg (now Harvill Secker, part of Penguin), courtesy of Paul Loader.

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Book cover proof for Colette's "The Other One"

Untitled (date unknown), ink and pencil on paper. Courtesy of Clarissa Daulby and Rose de Wend Fenton.

Book cover proof for Colette's "Claudine Married" (1960), Secker & Warburg, photolithograph print. © Secker and Warburg (now Harvill Secker, part of Penguin), courtesy of Paul Loader.

Book cover proof for Colette's "Claudine Married"

Illustration for Beauty and the Beast (Beauty embracing the dying Beast), c. 1875, watercolour and gouache on paper, Eleanor Vere Boyle. Private collection.

Illustration for Beauty and the Beast (Beauty embracing the dying Beast)

SOLIDARITY WITH THE AFRICAN AMERICAN PEOPLE - AUGUST 18, 1968, 1968, Lázaro Abreu Padrón (Illustration: after Emory Douglas), offset lithograph poster © OSPAAAL / Victoria and Albert Museum, London

SOLIDARITY WITH THE AFRICAN AMERICAN PEOPLE - AUGUST 18, 1968

Illustration for Beauty and the Beast (the wedding), c. 1875, watercolour and gouache on paper, Eleanor Vere Boyle. Private collection.

Illustration for Beauty and the Beast (the wedding)

Book cover proof for "Carlotta Mc Bride" (1959) by Charles Orson Gorham, illustrated by Janina Ede, photolithograph print. © Secker and Warburg (now Harvill Secker, part of Penguin), courtesy of Paul Loader.

Book cover proof for "Carlotta Mc Bride"

Collette's "Gigi and the Cat"(1958), illustrated by Janina Ede, book published by Penguin. © Penguin, courtesy of Paul Loader.

Collette's "Gigi and the Cat"

ANGELA DAVIS

Book cover proof for Colette's "Claudine and Annie" (1962), Secker & Warburg, photolithograph print. © Secker and Warburg (now Harvill Secker, part of Penguin), courtesy of Paul Loader.

Book cover proof for Colette's "Claudine and Annie"

Draft cover illustration for Collette's "Gigi and the Cat"

Book cover proof for Colette's "Break of Day" (1961), Secker & Warburg, photolithograph print. © Secker and Warburg (now Harvill Secker, part of Penguin), courtesy of Paul Loader.

Book cover proof for Colette's "Break of Day"

Book cover proof for Colette's "Cheri" (1961), Secker & Warburg, photolithograph print. © Secker and Warburg (now Harvill Secker, part of Penguin), courtesy of Paul Loader.

Book cover proof for Colette's "Cheri"

Book cover proof for Colette's "The Shackle" (1964), Secker & Warburg, photolithograph print. © Secker and Warburg (now Harvill Secker, part of Penguin), courtesy of Paul Loader.


Book cover proof for Colette's "The Shackle"

Book cover proof for Colette's "The Last of Cheri" (1961), Secker & Warburg, photolithograph print. © Secker and Warburg (now Harvill Secker, part of Penguin), courtesy of Paul Loader.

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