Woman
Untitled illustration for Jackanory (Mary Plain Goes to America) , 1972
British illustrator Janina Ede (1937-2018) created covers and illustrations for over 100 books from the 1950s to the 1980s. In the 1970s, she made illustrations for Jackanory, a BBC television programme. During each episode, an actor read a story, while specially-commissioned illustrations were shown on screen. For the televised version of Mary Plain Goes to America, Ede created paintings on large boards. These allowed the camera to pan across her image, showing a little at a time. BBC1 had only been in colour for three years, and so Ede used bold colours painted in gouache and reflective collaged foil to make the most of the new technology. This storyboard illustration was produced by Janina Ede for Jackanory episode #1429, 'Mary Plain Goes to America: Part 4 - Hollywood's Newest Star'. It aired on 16 November 1972.
Untitled (For thee, oh dear, dear country), Date unknown
Eleanor Vere Boyle (1825 – 1916) illustrated poetry and prose by some of the most popular authors of her time. She regularly drew and painted using ink and watercolour, sketching landscapes, animals and her children from life. She also made drawings from her imagination, often reflecting spiritual themes.
Beauty and the Beast at supper (illustration for Beauty and the Beast), c. 1875
Eleanor Vere Boyle (1825 – 1916) illustrated poetry and prose by some of the most popular authors of her time. She regularly drew and painted using ink and watercolour, sketching landscapes, animals and her children from life. She also made drawings from her imagination, often reflecting spiritual themes. This illustration is from Boyle’s 1875 retelling of Beauty and the Beast, a fairy tale where a woman is imprisoned by a monster and falls in love with him. Unlike other illustrated versions before or since, Boyle gave her beast walrus-like tusks and flippers. In several of her illustrations, Boyle used shell gold – a mixture of finely ground gold powder and gum arabic (tree sap) that would have been stored in a shallow seashell. In the final publication, the caption for this illustration reads, "After supper, every night, the Beast asked Beauty to be his wife: every night she said him nay."
Untitled (illustration for Ros Roserum ex horto Poetarum, 'THE FUNERAL OF THE ROSE'), c. 1885
Eleanor Vere Boyle (1825 – 1916) illustrated poetry and prose by some of the most popular authors of her time. She regularly drew and painted using ink and watercolour, sketching landscapes, animals and her children from life. She also made drawings from her imagination, often reflecting spiritual themes. This illustration is from her book, Ros Roserum ex horto Poetarum (1885). Boyle provided her publishers with black and white drawings that were then converted into etchings by the printer.
Content warning: child loss
Untitled (Haddo House), Date unknown
Eleanor Vere Boyle (1825 – 1916) illustrated poetry and prose by some of the most popular authors of her time. She regularly drew and painted using ink and watercolour, sketching landscapes, animals and her children from life. She also made drawings from her imagination, often reflecting spiritual themes.
Rough cover illustration for Colette's "Claudine Married", 1960
British illustrator Janina Ede (1937-2018) created covers and illustrations for over 100 books from the 1950s to the 1980s. She designed the covers of several books by French author and pioneer of autofiction Sidonie-Gabrielle Colette.
Cover jacket for "The Numbers of Our Days", 1959
British illustrator Janina Ede (1937-2018) created covers and illustrations for over 100 books from the 1950s to the 1980s.
Day of Solidarity with the Afro-American People - August 18, 1969
Between the 1960s and 1990s, more than fifty designers worked at OSPAAAL (the Organisation of Solidarity with the People of Africa, Asia and Latin America). Based in Cuba, they made magazines and posters that were sent around the world. Their aim was to promote radical political ideas. Many of their posters celebrate socialist revolutions and liberation movements from the Global South. They also criticised the foreign policy of the U.S.A. and supported the Black Power movement.
Content warning: weaponry
Untitled, Date unknown
British illustrator Janina Ede (1937-2018) created covers and illustrations for over 100 books from the 1950s to the 1980s. Ede often worked using just black ink, combining pen and brushwork to create bold illustrations with fine details.
Untitled illustration for Jackanory (Just So Stories: The Butterfly who Stamped) , 1973
Janina Ede (1937-2018) created covers and illustrations for over 100 books in the 1960s, 70s and 80s. Many of her illustrations feature animals, which she drew from life. In the 1970s, Ede was commissioned to create large colourful illustrations for the BBC children’s television series, Jackanory. Each episode was dedicated to a story read by an actor, while specially commissioned illustrations were shown on screen during each programme. Some of these illustrations were for programmes featuring stories by author Rudyard Kipling. His ‘Just So’ stories were short tales that imagined how various animals attained their distinguishing features. Kipling set the stories in parts of India, West Asia and Africa. His descriptions of places and people included racist and exoticised stereotypes. Ede’s illustrations draw extensively on Kipling’s descriptions, and therefore reflect the racism in his work, as well as the prevailing stereotypical views that existed in 1970s Britain. Her own personal views are not documented. This storyboard illustration was produced by Janina Ede for Jackanory episode #1453, 'Just So Stories - The Butterfly that Stamped'. It aired on 4 January 1973.
Book cover proof for "The Stories of Colette", 1958
British illustrator Janina Ede (1937-2018) created covers and illustrations for over 100 books from the 1950s to the 1980s. She designed the covers of several books by French author and pioneer of autofiction Sidonie-Gabrielle Colette.
Untitled illustration for Jackanory (Just So Stories: The Cat who Walked by Himself), 1973
Janina Ede (1937-2018) created covers and illustrations for over 100 books in the 1960s, 70s and 80s. Many of her illustrations feature animals, which she drew from life. In the 1970s, Ede was commissioned to create large colourful illustrations for the BBC children’s television series, Jackanory. Each episode was dedicated to a story read by an actor, while specially commissioned illustrations were shown on screen during each programme. Some of these illustrations were for programmes featuring stories by author Rudyard Kipling. His ‘Just So’ stories were short tales that imagined how various animals attained their distinguishing features. Kipling set the stories in parts of India, West Asia and Africa. His descriptions of places and people included racist and exoticised stereotypes. Ede’s illustrations draw extensively on Kipling’s descriptions, and therefore reflect the racism in his work, as well as the prevailing stereotypical views that existed in 1970s Britain. Her own personal views are not documented. This storyboard illustration was produced by Janina Ede for Jackanory episode #1452, 'Just So Stories - The Cat that Walked by Himself'. It aired on 3 January 1973.
Day of Solidarity with the people of Guinea-Bissau and Cape Verde - august 3, 1968
Between the 1960s and 1990s, more than fifty designers worked at OSPAAAL (the Organisation of Solidarity with the People of Africa, Asia and Latin America). Based in Cuba, they made magazines and posters that were sent around the world. Their aim was to promote radical political ideas. Many of their posters celebrate socialist revolutions and liberation movements from the Global South. This poster was designed to mark a day of solidarity with liberation movements in Cape Verde and Guinea-Bissau seeking independence from Portuguese colonial rule, on the date of the Pidjiguiti massacre. Many OSPAAAL designers combined images of Indigenous art and craft with contemporary weaponry. Their aim was to argue for the right to self-determination and support liberation movements opposing colonial and imperial powers. However, the designers did not always know the meaning or origin of the iconography they used.
Content warning: weaponry
Untitled (rough cover illustration for "The Numbers of Our Days"), c. 1959
British illustrator Janina Ede (1937-2018) created covers and illustrations for over 100 books from the 1950s to the 1980s.
Book cover proof for Colette's "Claudine in Paris", 1960
British illustrator Janina Ede (1937-2018) created covers and illustrations for over 100 books from the 1950s to the 1980s. She designed the covers of several books by French author and pioneer of autofiction Sidonie-Gabrielle Colette.
Rough cover illustration for "Carlotta Mc Bride", c. 1959
Janina Ede (1937-2018) created covers and illustrations for over 100 books from the 1950s to the 1980s. One of her earliest cover designs was for Carlotta McBride, a novel following the eponymous character in Paris, New York and Hollywood. It’s descriptions of sex and lesbian relationships led to the book being banned in Australia.
Untitled illustration for Jackanory (Mary Plain Goes to America) , 1972
British illustrator Janina Ede (1937-2018) created covers and illustrations for over 100 books from the 1950s to the 1980s. In the 1970s, she made illustrations for Jackanory, a BBC television programme. During each episode, an actor read a story, while specially-commissioned illustrations were shown on screen. For the televised version of Mary Plain Goes to America, Ede created paintings on large boards. These allowed the camera to pan across her image, showing a little at a time. BBC1 had only been in colour for three years, and so Ede used bold colours painted in gouache and reflective collaged foil to make the most of the new technology. This storyboard illustration was produced by Janina Ede for Jackanory episode #1428, 'Mary Plain Goes to America: Part 3 - Mary the Hero'. It aired on 15 November 1972.
Untitled (illustration for A Book of Heavenly Birthdays), c. 1893
Eleanor Vere Boyle (1825 – 1916) illustrated poetry and prose by some of the most popular authors of her time. She regularly drew and painted using ink and watercolour, sketching landscapes, animals and her children from life. She also made drawings from her imagination, often reflecting spiritual themes. This drawing was used as some of the final illustrations printed in the artists' publication A Book of Heavenly Birthdays (1893, London Elliot Stock)
Untitled illustration for Jackanory (Just So Stories: The Cat who Walked by Himself), 1973
Janina Ede (1937-2018) created covers and illustrations for over 100 books in the 1960s, 70s and 80s. Many of her illustrations feature animals, which she drew from life. In the 1970s, Ede was commissioned to create large colourful illustrations for the BBC children’s television series, Jackanory. Each episode was dedicated to a story read by an actor, while specially commissioned illustrations were shown on screen during each programme. Some of these illustrations were for programmes featuring stories by author Rudyard Kipling. His ‘Just So’ stories were short tales that imagined how various animals attained their distinguishing features. Kipling set the stories in parts of India, West Asia and Africa. His descriptions of places and people included racist and exoticised stereotypes. Ede’s illustrations draw extensively on Kipling’s descriptions, and therefore reflect the racism in his work, as well as the prevailing stereotypical views that existed in 1970s Britain. Her own personal views are not documented. This storyboard illustration was produced by Janina Ede for Jackanory episode #1452, 'Just So Stories - The Cat that Walked by Himself'. It aired on 3 January 1973.
Untitled illustration for Jackanory (Just So Stories: The Cat who Walked by Himself), 1973
Janina Ede (1937-2018) created covers and illustrations for over 100 books in the 1960s, 70s and 80s. Many of her illustrations feature animals, which she drew from life. In the 1970s, Ede was commissioned to create large colourful illustrations for the BBC children’s television series, Jackanory. Each episode was dedicated to a story read by an actor, while specially commissioned illustrations were shown on screen during each programme. Some of these illustrations were for programmes featuring stories by author Rudyard Kipling. His ‘Just So’ stories were short tales that imagined how various animals attained their distinguishing features. Kipling set the stories in parts of India, West Asia and Africa. His descriptions of places and people included racist and exoticised stereotypes. Ede’s illustrations draw extensively on Kipling’s descriptions, and therefore reflect the racism in his work, as well as the prevailing stereotypical views that existed in 1970s Britain. Her own personal views are not documented. This storyboard illustration was produced by Janina Ede for Jackanory episode #1452, 'Just So Stories - The Cat that Walked by Himself'. It aired on 3 January 1973.
Untitled illustration for Jackanory (Mary Plain Goes to America) , 1972
British illustrator Janina Ede (1937-2018) created covers and illustrations for over 100 books from the 1950s to the 1980s. In the 1970s, she made illustrations for Jackanory, a BBC television programme. During each episode, an actor read a story, while specially-commissioned illustrations were shown on screen. For the televised version of Mary Plain Goes to America, Ede created paintings on large boards. These allowed the camera to pan across her image, showing a little at a time. BBC1 had only been in colour for three years, and so Ede used bold colours painted in gouache and reflective collaged foil to make the most of the new technology. This storyboard illustration was produced by Janina Ede for Jackanory episode #1427, 'Mary Plain Goes to America: Part 2 - The Most Popular Person on Board'. It aired on 14 November 1972.
Untitled illustration for Jackanory (Just So Stories: The Cat who Walked by Himself), 1973
Janina Ede (1937-2018) created covers and illustrations for over 100 books in the 1960s, 70s and 80s. Many of her illustrations feature animals, which she drew from life. In the 1970s, Ede was commissioned to create large colourful illustrations for the BBC children’s television series, Jackanory. Each episode was dedicated to a story read by an actor, while specially commissioned illustrations were shown on screen during each programme. Some of these illustrations were for programmes featuring stories by author Rudyard Kipling. His ‘Just So’ stories were short tales that imagined how various animals attained their distinguishing features. Kipling set the stories in parts of India, West Asia and Africa. His descriptions of places and people included racist and exoticised stereotypes. Ede’s illustrations draw extensively on Kipling’s descriptions, and therefore reflect the racism in his work, as well as the prevailing stereotypical views that existed in 1970s Britain. Her own personal views are not documented. This storyboard illustration was produced by Janina Ede for Jackanory episode #1452, 'Just So Stories - The Cat that Walked by Himself'. It aired on 3 January 1973.
Illustration for 'A Dream Book', 1864-7
Eleanor Vere Boyle (1825 – 1916) illustrated poetry and prose by some of the most popular authors of her time. She regularly drew and painted using ink and watercolour, sketching landscapes, animals and her children from life. She also made drawings from her imagination, often reflecting spiritual themes.
Untitled (rough cover illustration for "The Numbers of Our Days"), c. 1959
British illustrator Janina Ede (1937-2018) created covers and illustrations for over 100 books from the 1950s to the 1980s.
Book cover proof for Colette's "The Other One", 1960
British illustrator Janina Ede (1937-2018) created covers and illustrations for over 100 books from the 1950s to the 1980s. She designed the covers of several books by French author and pioneer of autofiction Sidonie-Gabrielle Colette.
Untitled, Date unknown
Eleanor Vere Boyle (1825 – 1916) illustrated poetry and prose by some of the most popular authors of her time. She regularly drew and painted using ink and watercolour, sketching landscapes, animals and her children from life. She also made drawings from her imagination, often reflecting spiritual themes.
Book cover proof for Colette's "Claudine Married", 1960
British illustrator Janina Ede (1937-2018) created covers and illustrations for over 100 books from the 1950s to the 1980s. She designed the covers of several books by French author and pioneer of autofiction Sidonie-Gabrielle Colette.
Untitled illustration for Jackanory (Mary Plain Goes to America) , 1972
British illustrator Janina Ede (1937-2018) created covers and illustrations for over 100 books from the 1950s to the 1980s. In the 1970s, she made illustrations for Jackanory, a BBC television programme. During each episode, an actor read a story, while specially-commissioned illustrations were shown on screen. For the televised version of Mary Plain Goes to America, Ede created paintings on large boards. These allowed the camera to pan across her image, showing a little at a time. BBC1 had only been in colour for three years, and so Ede used bold colours painted in gouache and reflective collaged foil to make the most of the new technology. This storyboard illustration was produced by Janina Ede for Jackanory episode #1428, 'Mary Plain Goes to America: Part 3 - Mary the Hero'. It aired on 15 November 1972.
Illustration for Beauty and the Beast (Beauty embracing the dying Beast), c. 1875
Eleanor Vere Boyle (1825 – 1916) illustrated poetry and prose by some of the most popular authors of her time. She regularly drew and painted using ink and watercolour, sketching landscapes, animals and her children from life. She also made drawings from her imagination, often reflecting spiritual themes. This illustration is from Boyle’s 1875 retelling of Beauty and the Beast, a fairy tale where a woman is imprisoned by a monster and falls in love with him. Unlike other illustrated versions before or since, Boyle gave her beast walrus-like tusks and flippers. In several of her illustrations, Boyle used shell gold – a mixture of finely ground gold powder and gum arabic (tree sap) that would have been stored in a shallow seashell. In the final publication, the caption for this illustration reads, "Ah dear Beast, she said: Alas that my unkindness should thus slay thee."
SOLIDARITY WITH THE AFRICAN AMERICAN PEOPLE - AUGUST 18, 1968, 1968
Between the 1960s and 1990s, more than fifty designers worked at OSPAAAL. Based in Cuba, they made magazines and posters that were sent around the world. Their aim was to promote radical political ideas. Many of their posters celebrate socialist revolutions and liberation movements from the Global South. They were also connected to the Black Panther Party, a political organisation based in Oakland, California. Designer Emory Douglas was “glad to see” his illustrations for the Black Panther Party’s newspaper repurposed by OSPAAAL. Douglas’ image reflects the party’s line on carrying arms: “we believe we can end police brutality... by organising black self-defence groups that are dedicated to defending our black community from racist police oppression and brutality.”
Content warning: weaponry
Illustration for Beauty and the Beast (the wedding), c. 1875
Eleanor Vere Boyle (1825 – 1916) illustrated poetry and prose by some of the most popular authors of her time. She regularly drew and painted using ink and watercolour, sketching landscapes, animals and her children from life. She also made drawings from her imagination, often reflecting spiritual themes. This illustration is from Boyle’s 1875 retelling of Beauty and the Beast, a fairy tale where a woman is imprisoned by a monster and falls in love with him. Unlike other illustrated versions before or since, Boyle gave her beast walrus-like tusks and flippers. In several of her illustrations, Boyle used shell gold – a mixture of finely ground gold powder and gum arabic (tree sap) that would have been stored in a shallow seashell. In the final publication, the caption for this illustration reads, "Love is the magic, that makes all things fair."
Book cover proof for "Carlotta Mc Bride", 1959
Janina Ede (1937-2018) created covers and illustrations for over 100 books from the 1950s to the 1980s. One of her earliest cover designs was for Carlotta McBride, a novel following the eponymous character in Paris, New York and Hollywood. It’s descriptions of sex and lesbian relationships led to the book being banned in Australia.
Collette's "Gigi and the Cat", 1958
British illustrator Janina Ede (1937-2018) created covers and illustrations for over 100 books from the 1950s to the 1980s.
Untitled, c. 1968
British illustrator Janina Ede (1937-2018) created covers and illustrations for over 100 books from the 1950s to the 1980s.
Untitled illustration for Jackanory (Mary Plain Goes to America) , 1972
British illustrator Janina Ede (1937-2018) created covers and illustrations for over 100 books from the 1950s to the 1980s. In the 1970s, she made illustrations for Jackanory, a BBC television programme. During each episode, an actor read a story, while specially-commissioned illustrations were shown on screen. For the televised version of Mary Plain Goes to America, Ede created paintings on large boards. These allowed the camera to pan across her image, showing a little at a time. BBC1 had only been in colour for three years, and so Ede used bold colours painted in gouache and reflective collaged foil to make the most of the new technology. This storyboard illustration was produced by Janina Ede for Jackanory episode #1426, 'Mary Plain Goes to America: Part 1 - An invitation'. It aired on 13 November 1972.
ANGELA DAVIS, 1970
Between the 1960s and 1990s, more than fifty designers worked at OSPAAAL (the Organisation of Solidarity with the People of Africa, Asia and Latin America). Based in Cuba, they made magazines and posters that were sent around the world. Their aim was to promote radical political ideas. Many of their posters celebrate socialist revolutions and liberation movements from the Global South. This poster was designed in support of North American activist and academic Angela Davis. She was arrested in New York City in 1970, accused of supplying arms that were used in a kidnap and murder. She protested her innocence and there was widespread protest at her incarceration. Davis was cleared of all charges in 1972.
Book cover proof for Colette's "Claudine and Annie", 1962
British illustrator Janina Ede (1937-2018) created covers and illustrations for over 100 books from the 1950s to the 1980s. She designed the covers of several books by French author and pioneer of autofiction Sidonie-Gabrielle Colette.
Untitled, Date unknown
British illustrator Janina Ede (1937-2018) created covers and illustrations for over 100 books from the 1950s to the 1980s. Ede often worked using just black ink, combining pen and brushwork to create bold illustrations with fine details.
Draft cover illustration for Collette's "Gigi and the Cat", c. 1958
British illustrator Janina Ede (1937-2018) created covers and illustrations for over 100 books from the 1950s to the 1980s.
Book cover proof for Colette's "Break of Day", 1961
British illustrator Janina Ede (1937-2018) created covers and illustrations for over 100 books from the 1950s to the 1980s. She designed the covers of several books by French author and pioneer of autofiction Sidonie-Gabrielle Colette.
Untitled illustration for Jackanory (Just So Stories: The Cat who Walked by Himself), 1973
Janina Ede (1937-2018) created covers and illustrations for over 100 books in the 1960s, 70s and 80s. Many of her illustrations feature animals, which she drew from life. In the 1970s, Ede was commissioned to create large colourful illustrations for the BBC children’s television series, Jackanory. Each episode was dedicated to a story read by an actor, while specially commissioned illustrations were shown on screen during each programme. Some of these illustrations were for programmes featuring stories by author Rudyard Kipling. His ‘Just So’ stories were short tales that imagined how various animals attained their distinguishing features. Kipling set the stories in parts of India, West Asia and Africa. His descriptions of places and people included racist and exoticised stereotypes. Ede’s illustrations draw extensively on Kipling’s descriptions, and therefore reflect the racism in his work, as well as the prevailing stereotypical views that existed in 1970s Britain. Her own personal views are not documented. This storyboard illustration was produced by Janina Ede for Jackanory episode #1452, 'Just So Stories - The Cat that Walked by Himself'. It aired on 3 January 1973.
Untitled, Date unknown
British illustrator Janina Ede (1937-2018) created covers and illustrations for over 100 books from the 1950s to the 1980s. Ede often worked using just black ink, combining pen and brushwork to create bold illustrations with fine details.
Book cover proof for Colette's "Cheri", 1960
British illustrator Janina Ede (1937-2018) created covers and illustrations for over 100 books from the 1950s to the 1980s. She designed the covers of several books by French author and pioneer of autofiction Sidonie-Gabrielle Colette.
Book cover proof for Colette's "The Shackle", 1964
British illustrator Janina Ede (1937-2018) created covers and illustrations for over 100 books from the 1950s to the 1980s. She designed the covers of several books by French author and pioneer of autofiction Sidonie-Gabrielle Colette.
Book cover proof for Colette's "The Last of Cheri", 1961
British illustrator Janina Ede (1937-2018) created covers and illustrations for over 100 books from the 1950s to the 1980s. She designed the covers of several books by French author and pioneer of autofiction Sidonie-Gabrielle Colette.
My Apprenticeships Ch.12 Noseless Prostitute, c. 1968
Janina Ede (1937-2018) created covers and illustrations for over 100 books from the 1950s to the 1980s. Ede often worked using just black ink, combining pen and brushwork to create bold illustrations with fine details.
