Between the 1960s and 1990s, more than fifty designers worked at OSPAAAL (the Organisation of Solidarity with the People of Africa, Asia and Latin America). Based in Cuba, they made magazines and posters that were sent around the world. Their aim was to promote radical political ideas. Many of their posters celebrate socialist revolutions and liberation movements from the Global South.

In this design, a three-point cemí figure breathes fire in defiance of the U.S. corporations operating in Puerto Rico. For the Indigenous Taíno people of the Caribbean, a cemí is a representation of a deity, and at the same time a living being with its own vital force.

Many OSPAAAL designers used Indigenous imagery to argue for the right to self-determination and support liberation movements opposing oppressive powers. However, the designers did not always know the full meaning or origin of the iconography they used.